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Be our guest and look back at EW's coverage of the live-action retelling before it opens in theaters this weekend Each product we feature has been independently selected and reviewed by our editorial team. If you make a purchase using the links included, we may earn commission. It's been more than 25 years since the debut of Disney's animated Beauty and the Beast, but Emma Watson now steps into Belle's shoes in the live-action adaptation, in theaters this weekend. It's "a tale as old as time," but with a few nuances. Belle, a young woman and outsider of her small, provincial town, meets a prince cursed into a monstrous form by a witch. A mix of live-action and CGI performances, Beauty and the Beast features an massive ensemble with Dan Stevens, Luke Evans, Josh Gad, Ian McKellen, Ewan McGregor, Kevin Kline, Stanley Tucci, Emma Thompson, and Audra McDonald. For anyone holding off on spoilers or wanting to learn more about the behind-the-scenes Disney magic, here's a recap of EW's continuing coverage of the latest live-action fairytale. Beauty And The Beast GIF - Find & Share on GIPHY Subscribe now to receive Entertainment Weekly's The Ultimate Guide to Beauty and The Beast special issue, featuring the casts and creators of the new film and the animated classic, free with your order. EW’s Beauty and the Beast review, by Chris Nashawaty "Directed by movie-musical veteran Bill Condon Dreamgirls and the script for Chicago, Beauty and the Beast is a movie that can't quite figure out what it wants to say that it didn't already say back in 1991," Nashawaty writes. But that doesn't mean the film is void of joy. Watson "is certainly one of the film's stronger elements" who, "it turns out, can sing." Beauty And The Beast GIF - Find & Share on GIPHY EW’s first look cover story, by Clark Collis EW premiered the first look at the cast with a behind-the-scenes investigation of Beauty and the Beast, complete with secrets from the set. Beauty and the Beast On the Cover of EW Emma Watson gives Belle a new backstory The Disney princess is no longer a damsel in distress. The star of the film talks about bringing more of an inventor background to the library-loving character. Image How Disney recreated Belle’s yellow dress We all know the scene Belle, twirling in a yellow gown, dances with the Beast in a shimmering ballroom to the song "Beauty and the Beast." Watson remarked of the moment, "It really tells the story of Beast and Belle falling in love." BEAUTY AND THE BEAST A guide to the new songs In addition to compositions from the original movie musical, the film incorporated original pieces from composer Alan Menken "For Evermore," "Our Song Lives On," and "Days in the Sun." Beauty And The Beast GIF - Find & Share on GIPHY Emma Watson on bringing a fearless edge to Belle In EW's recent cover story, the actress and director Bill Condon tell EW about how Belle's quiet village views her inquisitive mind as a threat. "They don't think women should read and it goes further than that," she said. "They are deeply suspicious of intelligence." ew1454_55cvr_promo Credit Kerry Hallihan for EW On the “Stockholm Syndrome” element of the original story Watson defended the live-action remake against criticism surrounding Belle's relationship with the Beast. "It's such a good question and it's something I really grappled with at the beginning," she said. Beauty And The Beast GIF - Find & Share on GIPHY LeFou's "gay moment" A backlash ensued over Disney's first openly gay character in a film Josh Gad's LeFou. Condon said the moment was "overblown," McGregor defended the choice in an interview on The Late Show. BEAUTY AND THE BEAST Credit Laurie Sparham/Disney A dissection of the film’s gay character EW's Anthony Breznican penned a thoughtful essay from a father's perspective on LeFou's character progression. null Credit Laurie Sparham/Disney Crack open EW’s special edition issue for Beauty and the Beast Check out exclusive behind-the-scenes images from the London set — from Belle's hometown to the Beast's castle and the wolf-riddled woods. Beauty And The Beast GIF - Find & Share on GIPHY Alan Menken returns to the musical realm of the film The legendary movie composer Aladdin, The Little Mermaid, Pocahontas, and more looks back to one of his most renowned achievements in EW's Ultimate Guide to Beauty and the Beast. Beauty And The Beast GIF - Find & Share on GIPHY Behind the music Want to know how such iconic tunes, like "Gaston" and "Be Our Guest," came to be? Find out from Menken himself. Beauty And The Beast GIF - Find & Share on GIPHY An oral history of the original Beauty and the Beast Find out how the film started out with a 20-minute reel about Belle with her angry aunt, cat, and little sister. Plus, there wasn't any music. Yeah, Disney didn't go for that concept, either. Beauty And The Beast GIF - Find & Share on GIPHY Bill Condon on the new Beauty and the Beast It may be a story we've heard before, but there's still more to say. Condon writes about his experience looking to 1932's Love Me Tonight and breathing new life into a Disney hallmark. BEAUTY AND THE BEAST Credit Laurie Sparham/Disney Inside the filming of "Be Our Guest" "Be Our Guest" is one of the most iconic Disney moments of all time. So, no pressure recreating it again decades later. "It's a four-minute number that cost more than Mr. Holmes's entire budget," Condon dished. be-our-guest Beauty and the Beast 2017 type Movie mpaa runtime 129 minutes director Bill Condon Beauty and the Beast streaming where to watch online?Currently you are able to watch "Beauty and the Beast" streaming on Disney Plus, DIRECTV. It is also possible to buy "Beauty and the Beast" on Microsoft Store, AMC on Demand, Apple TV, Amazon Video, Google Play Movies, YouTube, Vudu, Redbox, DIRECTV as download or rent it on Amazon Video, Apple TV, Google Play Movies, YouTube, Vudu, Microsoft Store, Redbox, DIRECTV, Spectrum On Demand online. You could say that the notion of turning beloved stories and characters into brands was invented by Walt Disney. He built his empire on the image of Mickey Mouse who made his debut in 1928, but Disney really patented the brand concept in 1955, with the launch of Disneyland, where kids could see old familiar characters — Mickey! Snow White! — in a completely different context, which made them new. Twenty-three years ago, the Broadway version of “Beauty and the Beast” followed three years later by the Broadway version of “The Lion King” introduced a different form of re-branding the stage-musical-based-on-an-animated-feature. Now the studio is introducing a cinematic cousin to that form with the deluxe new movie version of “Beauty and the Beast,” a $160 million live-action re-imagining of the 1991 Disney animated classic. It’s a lovingly crafted movie, and in many ways a good one, but before that it’s an enraptured piece of old-is-new nostalgia. There’s a lot riding on “Beauty and the Beast.” Given its sheer novelty value the live-action “Cinderella” released by Disney in 2015 wasn’t really cued to the 1950 cartoon version, the picture seems destined to score decisively at the box office. But the larger question hanging over it is How major — how paradigm-shifting — can this new form be? Is it a fad or a revolution? Disney already has a live-action “Lion King” in the works, but it remains to be seen whether transforming animated features into dramas with sets and actors can be an inspired, or essential, format for the future. Going into “Beauty and the Beast,” the sheer curiosity factor exerts a uniquely intense lure. Is the movie as transporting and witty a romantic fantasy as the animated original? Does it fall crucially short? Or is it in some ways better? The answer, at different points in the film, is yes to all three, but the bottom line is this The new “Beauty and the Beast” is a touching, eminently watchable, at times slightly awkward experience that justifies its existence yet never totally convinces you it’s a movie the world was waiting for. A good animated fairy tale is, of course, more than just a movie — it’s a whole universe. The form was invented by Disney eighty years ago, with “Snow White and the Seven Dwarfs” 1937, a film I still think has never been surpassed, and when you watch something as transporting as “Snow White” — or “Bambi,” or “Toy Story,” or “Beauty and the Beast” — every gesture and background and choreographed flourish, from the facial expressions to the drip-drop of water, flows together with a poetic unity. That’s the catchy miracle of great animation. When you watch the new “Beauty and the Beast,” you’re in a prosaic universe of dark and stormy sets, one that looks a lot like other stagy films you’ve seen. The visual design, especially in the Beast’s majestic curlicued castle, is gentrified gothic — Tim Burton de-quirked. At the beginning, when Belle Emma Watson walks out of her house and wanders through the village singing “Belle,” that lovely lyrical meet-the-day ode that mingles optimism with a yearning for something more, the shots and beats are all in place, the spirit is there, you can see within 15 seconds that Emma Watson has the perfect perky soulfulness to bring your dream of Belle to life — and still, the number feels like something out of one of those overly bustling big-screen musicals from the late ’60s that helped to bury the studio system. It’s not that the director, Bill Condon “Dreamgirls,” “The Twilight Saga”, does anything too clunky or square. It’s that the material loses its slapstick spryness when it’s not animated. The sequence isn’t bad, it’s just…standard. That’s true of most of the first part of the movie, right up until the point when Belle rescues her kindly inventor father, Maurice Kevin Kline, from the Beast’s castle — where he’s being held prisoner for having assaulted a flower — by trading places with him. Belle, a wistful bookworm, is the odd girl out in her village, and she has already brushed off several encounters with Gaston Luke Evans, the duplicitous hunk who became a new Disney archetype in “Frozen,” etc. the handsome, big-chinned, icky monomaniacal two-faced suitor. On first meeting, however, the Beast seems nearly as dark. He’s a prince who was cursed and turned into a monster for having no love in him, and the best thing about the movie — as well as its biggest divergence from the animated version — is that he’s a strikingly downbeat character, a petulant and morose romantic trapped in a body that makes him feel nothing less than doomed. He’s played by Dan Stevens, a British actor who out of makeup looks like a bland version of Ryan Gosling, but the makeup and effects artists have done an extraordinary job of transforming him into a hairy hulking figure with ram horns, the face of a saddened lion having an existential meltdown, and the voice of Darth Vader channeling Hugh Grant. Visually, the characterization makes a nod to the scowling-eyed Beast from Jean Cocteau’s immortal “Beauty and the Beast” 1946, but he also comes off as a kind of royal version of the Elephant Man a melancholy freak trapped in solitude. I loved that for a good long while, he’s a bit of a hard-ass, a man-creature who doesn’t dare to think that Belle could love him. But then, under her gaze, he begins to soften, and his transformation is touching in a more adult way than it was in the animated version. The romance there was benign; here, it’s alive with forlorn longing. Which is to say, the new “Beauty and the Beast” is not as kid-friendly a movie. It tries to be in certain sequences, notably those featuring Lumière the candelabra voiced by Ewan McGregor, Cogsworth the pendulum clock Ian McKellen, and Garderobe the wardrobe Audra McDonald — all of whom are basically tactile, live-action animated characters. The “Be Our Guest” musical number scrupulously revives the dancing-plate surreal exuberance of the original, but there the frenetic nuttiness was exquisite. Here it tips between exhilarating and exhausting, because you can feel the special-effects heavy lifting that went into it. I keep comparing “Beauty and the Beast” to the animated version, which raises a question Is that what we’re supposed to be doing? Or should the film simply stand on its own? The movie wants to have it both ways, but then, that’s the contradictory metaphysic of reboot culture We’re drawn in to see the old thing…but we want it to be new. The live-action “Beauty and the Beast” is different enough, and certainly, if you’ve never experienced the cartoon, it’s strong enough to stand on its own. Josh Gad, incidentally, plays Gaston’s worshipful stooge Le Fou as maximally silly and fawning, but I must have missed the memo where that spells “gay.” Yet it’s not really that simple, is it? The larger fantasy promoted by a movie like this one is that we’ll somehow see an animated feature “come to life.” And that may be a dream of re-branding — shared by studio and audience alike — that carries an element of creative folly. Animation, at its greatest, is already a glorious imitation of life. It’s not clear that audiences need an imitation of the imitation. Beauty and the Beast is an American live-action fantasy, musical film directed by Bill Condon, and distributed by Walt Disney Pictures. It is a remake of the 1991 animated film of the same name and was written by Evan Spiliotopoulos and produced by Mandeville Films. The script was rewritten by Stephen Chbosky. The film stars Emma Watson as Belle and Dan Stevens as the Prince/Beast. It was released on March 17, 2017. Summary[] “Beauty and the Beast” is the fantastic journey of Belle, a bright, beautiful and independent young woman who is taken prisoner by a beast in his castle. Despite her fears, she befriends the castle’s enchanted staff and learns to look beyond the Beast’s hideous exterior and realize the kind heart and soul of the true Prince within. Plot[] In a vast castle of grandeur, a young Prince is having a party of lovely women as Madame de Garderobe sings. The party is interrupted when an old hag arrives at the palace and offers the prince a rose. However, the Prince declines the rose and the hag transforms herself into an Enchantress. The Prince begs for forgiveness, but the Enchantress does not forgive him and she transforms the Prince into a Beast and all his workers into Enchanted objects, and she removes the villagers' memories of the Prince and the castle. She turns the rose into an Enchanted rose, and says that if the Prince hasn't learned to love by the time the last petal falls off the rose, he would be a Beast forever, and the Enchanted objects would become antiques. Years later, in the village of Villeneuve, a young bookworm inventor named Belle is bored of her village life and seeks excitement. Belle lives with her father Maurice, an inventor and tinkerer. One day, Maurice and his horse, Philippe, gets lost in the forest while traveling to a market. While lost in the forest, they enter a part of the forest that is covered in snow and are attacked by wolves, causing them to flee to the Beast's castle. Phillipe escapes the castle when the Beast discovers Maurice taking a rose from the castle's garden for Belle and detains him. Phillipe trots back to the village to find Belle. When Phillipe leads Belle to the castle, she offers to take her father's place; the Beast accepts and sets her father free. Belle is released by the castle's footman, Lumiere, who was turned into a candelabra as a result of the enchantress's curse. Belle also meets the other castle residents that were transformed by the curse the castle's majordomo, Cogsworth, a clock; Mrs. Potts, a teapot; her son Chip, a teacup; court composer, Maestro Cadenza, a harpsichord; Maestro Cadenza's wife who is an opera singer, Madame de Garderobe is a wardrobe; their dog FrouFrou, a footstool; Chapeau, a coatrack; and the maid who is also Lumiere's girlfriend Plumette, a feather duster. After the staffs offer Belle a meal, she wanders into the forbidden West Wing. The Beast frightens Belle and she flees into the woods and encounters the pack of wolves that chased Maurice earlier. The Beast rescues Belle but he gets injured in the process. He begins to develop feelings for her while she nurses his wounds. The Beast allows Belle access to his library and the two begin to develop feelings for each other. While the Beast has fallen in love with Belle, Belle is uncertain of her feelings due to her imprisonment. Meanwhile, Maurice returns to Villeneuve but is unable to convince the others to rescue Belle. Gaston, a hunter and former soldier who is trying to woo Belle, agrees to help to earn Maurice's approval, but when Maurice refuses Gaston leaves him in the forest to die. Maurice is rescued by a villager named Agathe and he returns to the village accusing Gaston of attempting to kill him. Gaston convinces the villagers to send Maurice to the town's insane asylum. Using the magic mirror, Belle sees Maurice being captured and the Beast allows her to leave to save him, letting her keep the mirror to see him again. At Villeneuve, Belle rescues Maurice and proves his sanity by showing the Beast with the magic mirror. Realizing that Belle loves the Beast, Gaston puts Bell with her father and convinces the villagers that the Beast is a man-eating monster, leading them to the castle to kill him. However, Maurice and Belle escapes from confinement. While the villagers are fended off by the servants, Gaston fights the Beast. The Beast initially is too depressed to fight back, but perks up after seeing Belle return to the castle. He corners Gaston, but spares his life before reuniting with Belle. However, Gaston fatally shoots the Beast in the back from a footbridge, but it crumbles beneath his feet and he falls to his death. The Beast dies of Gaston's gunshots as the last petal falls from the rose, and the servants become completely inanimate. When Belle professes her love to him and kisses his forehead, Agathe reveals herself as the enchantress and undoes the curse, returning the Beast and his servants to their true forms alive and restoring the castle to its former glory. The village inhabitants return to the castle with their memories of it restored, and the Beast and Belle host a ball for the kingdom at which they dance. Spoilers end here. Cast[] Emma Watson as Belle Dan Stevens as Beast/the Prince Luke Evans as Gaston Kevin Kline as Maurice Josh Gad as LeFou Ewan McGregor as Lumière Ian McKellen as Cogsworth Emma Thompson as Mrs. Potts Stanley Tucci as Maestro Cadenza Audra McDonald as Madame de Garderobe Gugu Mbatha-Raw as Plumette Nathan Mack as Chip Thomas Padden as Chapeau Adrian Schiller as Monsieur D'Arque Hattie Morahan as Agathe/The Enchantress Zoe Rainey as Belle's Mother Gerard Horan as Monsieur Jean Potts Henry Garrett as the King Harriet Jones as the Queen Production[] Development[] Development of the film began on April 2014. By June 2014, Bill Condon was signed to direct the film, with a script by Evan Spiliotopoulos. Later in September 2014, Stephen Chbosky was hired to re-write the script. Casting[] Emma Watson was announced as the lead role as Belle in January 2015, Two months later, in March of 2015, actors Luke Evans and Dan Stevens were revealed to be in talks to play Gaston and the Beast respectively in the film. Josh Gad was confirmed to play LeFou in the film. Emma Thompson, Kevin Kline, Audra McDonald, Ian McKellen, Gugu Mbatha-Raw, Ewan McGregor and Stanley Tucci also joined the cast in March of 2015. Filming[] Filming began on May 18, 2015 and ended on August 21, 2015, six day's later it was announced that the film had officially wrapped up production. Music[] Main article Beauty and the Beast 2017 soundtrack The soundtrack was released by Walt Disney Records on March 10, 2017. Reception[] The film has received a mixed-to-positive reception when it came out, with praise directed toward the setting, costumes, and songs, but criticism towards the story, cast, acting, CGI, and Condon's direction. The film has a current rating of 70% on Rotten Tomatoes, based on 196 reviews. Emma Watson's and Josh Gad's portrayals as Belle and Lefou have been met with both praise and criticism. Many Christians are boycotting the film due to the character of LeFou being a confused homosexual/bisexual, saying that making him that way confuses children. A drive-in movie theater owner in Henegar, Alabama is refusing to screen the film due to her Christian beliefs, and the film is banned in Malaysia. Russia has also declared that no one under the age of 16 is allowed to see the film. The hashtags "BoycottDisney" and "BoycottBeautyAndTheBeast" are currentlty trending on Twitter as well. Differences from the 1991 Film[] The Enchantress plays a much larger, less defined, role in the 2017 film. Unlike the animated film, Maurice was an artist rather than an inventor. Instead, Belle is now an inventor. Belle's backstory was explained on the film. This reveals why she and her father moved to a small town. Aside from Belle, the Beast's backstory was also explained on how he became heartless towards the people. Cadenza was a new character added for the 2017 film. He is the husband of the wardrobe. Sultan is renamed as Fru Fru in the 2017 film. Chip was an only child of Mrs Potts. In the animated film, Chip had brothers and sisters who were minor characters. Unlike the animated film, the Enchantress gave the Beast not only the enchanted rose and the mirror but also a book that enables him to transport on a particular place. Whenever a petal falls, parts of the castle will collapse and the staff gradually lose their humanity and become more inanimate. This is not present in the animated film. Maurice was imprisoned in the castle only because of the rose he picked for Belle. This is a similar scene from the original fairy tale. Belle did not take off the glass cover of the bell-jar when the Beast caught her. LeFou was taller in this film. He was not bisexual in the original however, he dances with a woman at the end, only to get accidentally paired up with a man when it comes time to change dance partners; the two look at each other in shock and are not seen again after this. Unlike the original film, LeFou reformed at the end when he felt betrayed after Gaston left him to be beaten by the enchanted objects while Gaston left to find and kill the Beast during the battle. Gaston was not muscular and had a mustache in this film. He was also known for being a soldier who fought during the war rather than just a hunter. The Beast did not take Belle to a bedroom but it was Lumiere instead. Fifi is renamed as Plumette in the 2017 film. In the 2017 film, Gaston shot the Beast using a pistol instead of an arrow. And before his death, Gaston shot the Beast in the back with his pistol instead of stabbing him with a dagger. The Enchantress appears to revive the Beast and reverse the curse she planted on him, watching as Belle tearfully confesses her true feelings. She does not, however, reveal herself to Belle nor speak to her. She doesn't actually speak in the film at all, she remained a silent role, like in the animated film Majority of the characters' physical appearance as the enchanted objects inside the castle were changed Mrs Potts' face was now on the right side of the teapot instead of at the spout, Lumiere somewhat appears to be a golden sculptured human figure candlestick but when he transforms; his figure of a candlestick with three branches still remains, Madame de Garderobe's face was inside the wardrobe instead on the top and Plumette resembles a miniature swan rather than an ordinary feather duster. During "Something There," Belle and the Beast did sing unlike in the animated film where their singing voices are only non-dietetic during the scene. In the 2017 film, Gaston falls to his death when a footbridge in which he was standing breaks apart. In the 2017 film, Gaston was planning to murder Maurice when he reveals that Gaston will never marry Belle. As a result, he ties Maurice up to a tree hoping for the wolves to devour him. Maurice has a much bigger role than in the animated film. Belle did not save Maurice but it was the Enchantress, under the guise Agathe, instead. Chip didn't use a wood chopper to save Belle and Maurice, rather Maurice uses something long and pointy to unlock the lock on the wagon. When the servants are revived as humans, Cogsworth's human name, Henri, is revealed by a female villager who recognized her husband. International Premieres[] February 23, 2017 London March 16, 2017 Albania, Brazil, Colombia, Czech Republic, Germany, Denmark, Greece, Republic of Korea, Croatia, Italy, Cambodia, Mexico, Nicaragua, Philippines, Portugal, Russia, Singapore, Taiwan March 17, 2017 Bulgaria, Canada, China, Estonia, Spain, Finland, United Kingdom, Hong Kong, Lithuania, Norway, Poland, Sweden, Turkey, United States March 22, 2017 France March 23, 2017 Australia, Argentina, Hungary, Israel March 29, 2017 Belgium, Netherlands March 30, 2017 Chile April 14, 2017 South Africa April 21, 2017 Japan Videos[] Trailers and Clips[] Beauty and the Beast Official US Teaser TrailerBeauty And The Beast Live Action Sneak Peek Bonus ClipBeauty and the Beast US Official TrailerDisney’s BEAUTY AND THE BEAST Emma Watson, 2017 - International TRAILERBeauty and the Beast – US Official Final TrailerAriana Grande, John Legend - Beauty and the Beast From "Beauty and the Beast" Audio OnlyBeauty and the Beast - Bringing Beauty To Life - Official Disney HD"Belle" Clip - Disney's Beauty and the Beast"Gaston" Clip - Disney's Beauty and the BeastBeauty and The Beast - Dinner Invitation - Official Disney HD"Empowered Belle" Featurette - Disney's Beauty and the Beast"Lumiere Plots Romance" Clip - Disney's Beauty and the Beast Trivia[] This is the first live-action adaptation of a Walt Disney Animation Studios movie that is from the Disney Renaissance. Cadenza is a new character created for this remake. He is the husband of the Garderobe who was transformed into a harpsichord and got separated from his wife while the castle was under its spell. This is Kevin Kline's first role for a Disney film since he played Phoebus in The Hunchback of Notre Dame and The Hunchback of Notre Dame II. Filming began in Surrey, England on May 18, 2015 and was completed on August 27. Bill Condon had actors sing The Lion King's "Hakuna Matata" at the auditions to measure their singing voices. This was how he chose the final cast for this film. This is the eighth of many live-action re-imaginings of Disney animated films released in the 20th and 21st centuries, following Rudyard Kipling's The Jungle Book, 101 Dalmatians, The Jungle Book Mowgli's Story, Maleficent, Cinderella, The Jungle Book and Pete's Dragon. Many others are in development. The teaser includes the opening music from the animated film and a piano sample of the title song. Three new songs were written and composed for the film, in addition to the original songs featured in the animated version. This is the fourth time that Emma Thompson does a role for a Disney film after playing Captain Amelia in Treasure Planet, Queen Elinor in Brave and P. L. Travers in Saving Mr. Banks. This is the second movie collaboration between Emma Watson, Stanley Tucci and Kevin Kline following The Tales of Despereaux. Tucci and Kline previously worked in the 1999 version of A Midsummer Night's Dream. This is the fourth movie collaboration between Ewan McGregor and Stanley Tucci following Jack the Giant Slayer, Robots and A Life Less Ordinary. Ewan McGregor and Emma Thompson previously worked in the Nanny McPhee and the Big Bang. Actors Luke Evans who played Gaston and Ian McKellen who played Cogsworth, previously collaborated in The Hobbit trilogy, in which Evans played as the bowman called Bard while McKellen played as the wizard called Gandalf but their characters did not interact until the finale of the trilogy. Actors Stanley Tucci who played Cadenza and Dan Stevens who played the Beast previously worked together in Bill Condon's thriller film The Fifth Estate. Actresses Emma Watson Belle and Emma Thompson Mrs. Potts, previously worked in the Harry Potter franchise as Hermione Granger and Sybill Trelawney respectively. The production cultivated a total of 1500 "enchanted" roses for the movie. All the wardrobe was made of sustainable materials friendly with the average environment. Interestingly, the actors Emma Watson Belle, Luke Evans Gaston, Emma Thompson Mrs Potts and Nathan Mack Chip share the same birth date, April 15th. Emma Watson reveals she wanted to play Belle instead of Cinderella, explaining that her personality associated much more with the former than the latter. Unlike the past three live action remakes Maleficent, Cinderella, and The Jungle Book, this remake has no characters that were good in their debut, but changed into villains in the remake King Stefan for Maleficent, The Grand Duke for Cinderella, and King Louie for The Jungle Book. All of the characters that were good in the animated version of their debut were also good in the remake. External links[] References[] ↑ "Disney’s Live-Action Beauty and the Beast Set for March 17, 2017". Variety October 26, 2016. File Credits Trailers [3] Image gallery [22] Plugin not supported. where to watch Original title Beauty and the Beast Year 2017 Running time 123 min. Country United States Director Screenwriter Cast Music Cinematography Producer Genre Romance. Musical. Fantasy Fairy Tales / Fables. Remake Movie Groups Disney's Beauty and the Beast Disney Princess Walt Disney Classics Remakes Jeanne-Marie Leprince de Beaumont Adaptations Synopsis Belle Emma Watson lives in a small town in France with her loving father, Maurice Kevin Kline. He leaves on a trip to the market and when his horse comes back without him, Belle goes looking for him. The horse leads her to an enchanted castle, where Belle finds Maurice imprisoned in a tower by The Beast Dan Stevens. She offers herself as a prisoner in exchange for her father's release. The Beast was once a vain, arrogant and handsome prince until an Enchantress cast a spell on him. The Enchantress leaves a rose in a glass case, telling him that when the last petal falls, if he has not found someone to love him, he'll remain a Beast forever, and his servants will become inanimate objects without personalities. Belle finds to her amazement that the household objects in the castle are alive, and can talk. They wonder if she's "the one" and tell her the Beast is not as terrible as he appears. She slowly gets to know his softer side, just as the townsfolk are preparing to rescue her. Rankings Position 150 Best Remakes in the history of film Awards 2017 Academy Awards Nominated for Best Production Design & Costume Design 2017 BAFTA Awards Nominated for Best Production Design & Best Costume Design 2017 Critics Choice Awards 4 Nominations including Best Art Direction & Costume 2017 Satellite Awards Nominated for Best Costume Design 2017 Chicago Film Critics Awards Nominated for Best Art Direction Critics' reviews Show 3 more reviews Movie Soulmates' ratings Register so you can access movie recommendations tailored to your movie taste. Friends' ratings Register so you can check out ratings by your friends, family members, and like-minded members of the FA community. Ranking Lists Position 39 My Top 10 Movies from 2017 105 48 My Favorite Remakes 15 77 My Favorite Musicals 44 Is the synopsis/plot summary missing? Do you want to report a spoiler, error or omission? Please send us a message. If you are not a registered user please send us an email to [email protected] All copyrighted material movie posters, DVD covers, stills, trailers and trademarks belong to their respective producers and/or distributors. For US ratings information please visit User history 2017 Bill Condon Beauty and the Beast - watch online streaming, buy or rentCurrently you are able to watch "Beauty and the Beast" streaming on Disney Plus. It is also possible to buy "Beauty and the Beast" on Google Play Movies, YouTube, Amazon Video, Apple TV, Microsoft Store, Cineplex as download or rent it on Google Play Movies, Cineplex, Microsoft Store, YouTube, Amazon Video online.

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